Perfect Sri Chakra By Adi Shankaracharya Sringeri

The Sri Chakra of Devi is perfect synchoronization of Universal Reality and the Individual Soul.

The Advaita system propounded Adi Shankaracharya,based on the Mahavakyas of the Vedas define Reality as Brahman .

It is is beyond Attributes.

It is beyond senses and a Noumenon.

It is Absolute with no reference to relate to.

The Individual Soul,Jiva is but a part of Brahman.

It is not separate,different from Brahman.

The individual soul,the world of Names and Forms are illusory in the sense that they are Relative.

The Individual Soul and the world of Names and Forms is because of Illusion.

This Illusion,at the Individual level is Avidya,Nescience,absence of Absolute Knowledge or loosely put Ignorance.

At the Universal level it is,Called Maya.
The Reality ,Brahman is the emobodiment of Being,Consciousness and Bliss.

SAT,CHIT,ANANDA.

Once ignorance,Avidya is removed the false ,Relative knowledge gives way to Absolute Knowledge,Brahma Gnana,when the Individual soul becomes aware of its original state,that of Reality,Brahman.

This,in short,is Advaita.

As it is impossible for the human mind to concentrate on mere principles,Hinduism,as a first step,recommends Personal God.

To facilitate the process of integrating the Universal Soul with the Individual soul,four tools are suggested.

1.Gods/Goddesses.

2.Sounds in the form of Mantras

3.Geometrical shapes and

4.Combination of Sound and Geometrical shapes,Mantra and Yantra,which form Tantra.

One of the most effective Yantra is Sri Chakra of Devi.

For details of Sri Chakra,google sri yantra+ramanan50.

Sri Chakra and OM are interchangeable.

Adi Shankaracharya established Sri Chakra invmany places,including Kolluru and Sringeri.

The perfect Sri Chakra can be found at Sringeri,the Mutt established by Adi Shankaracharya.

‘The ancient temple of Sri Sharada, the presiding deity of Sringeri has a glorious history that begins with the setting up of the Dakshinamnaya Peetham by Sri Shankara Bhagavatpada. Originally it was an unpretentious shrine with the Murti of Sharada made of sandalwood, installed over the Sri Chakra that Sri Adi Shankara carved on a rock. Subsequently Sri Bharati Krishna Tirtha and Sri Vidyaranya had a temple built in the Kerala style, with timber and tiled roof. Sri Bharati Krishna Tirtha substituted the sandalwood idol with the present golden idol.

Sri Sacchidananda Shivabhinava Nrisimha Bharati raised the present structure in granite with polished granite walling round the sanctum and Sri Chandrasekhara Bharati consecrated the new temple in May 1916. Sri Abhinava Vidyatirtha made several improvements in the temple. The Mahamandapam has huge stone pillars exquisitely carved with deities like Durga, Raja Rajeshwari, Dwarapalakas and Devis which are all sculpted according to the Shilpa Sastras practised in Tamilnadu.

Sanctified by the worship of an unbroken succession of Acharyas of the highest purity, loftiest devotion and unsurpassed mantric powers, the Murti of Sri Sharada radiates grace and blessings.’

Reference and citation.

https://www.sringeri.net/temples/sri-sharadamba

Sri Yantra Pasupathaye Namaha Construction Site Banks of Mississippi Iowa

Worship of Gods,Goddesses with human/Super Human Attributes,though not advocated by the Vedas,they stress on the Realisation of Reality,Brahman which is beyond Attributes,the Vedas and the later Smritis,realizing the inability of Human Mind to concentrate on a Vacuum or Attribute-less Principle recommended as a first step the Worship of Reality as One with Name and Form.

This is called Saguna Aradhana,while fixing Mind on the Attribute-less Brahman is called Nirguna Aradhana.

There are others methods recommended.

The Realization through Sound,Mantra.

Through Geometrical Shapes,Yantra.

Through esoteric practices,involving Mind and Body,Tantra.

One of the most powerful Yantras is the Sri Yantra.

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Though generally attributed to Lalitha Devi and by some texts to Lakshmi as an Attribute of Lalitha,Sri Yantra is Nirguna Upasna.

Please read my articles on Lalitha,Yantras,Devi Aksharas.

The Yantra contains the Beeja Mantras ‘Sreem,Hreem,Kleem’ among others.

One of the readers of this blog,Sri. Linn Honeycutt sent me a message thus,a couple of days ago.

‘Greetings, 

      I met a man when I was in Wisconsin and he showed me a picture and said he found it. He was on a construction site on the banks of the Mississippi. I sent him a message and trying to get more details.

    Do you know what language is written on the yantra?’

The language written on this Yantra is Sanskrit.

What is intriguing is that the Yantra contains the phrase ‘ Pasupathaye Namaha’

The Epithet Pasupathi is for Lord Shiva and is not generally found in Sri Yantra.

I request scholars and Sri Vidya Upasakas to throw more light on this.

*The Yantra was found in a construction site on the banks of River Mississippi,Burlington,Iowa,US.

‘just confirmed it came from Burlington, Iowa where the Mississippi river runs east of the town.’

There is a debate about the Pasupathi Seal found in Mohenja Daro in Indus valley,dated 5000 years ago.

One of the points of the debate is whether the seal contains Male or Female figure.

Shall be writing on this.

UFO Directs To Sri Yantra In River Bed US

Sri Chakra is the Tantric Symbol in Hinduism.

It is a Mathematically organized symbol to facilitate the worship of the Divine Mother.

Please read my articles on this subject.

 

Sometime earlier I read that Sri Yantra was found in the US on a lake bed .

I wanted to write about it but forgot and got busy in writing about the History of Sanatana Dharam based on archaeological evidence available across the world.

I remembered the Sri Chakra article this morning when I was going for a walk .

I checked my articles on Crop Circles.

The following information does not appear in my articles.

‘A very large, perfectly formed, ancient Hindu mandala called the Sri Yantra was discovered inscribed into the dry lake bed by an Air National Guard pilot on a normal training run from a base near Boise, Idaho. This symbol was over a quarter of a mile in length, and consisted of over 13 miles of lines etched into the impacted mud 3”-10” deep. No human or tire tracks were found anywhere near the site. A group of 5 artists from Iowa claimed responsibility for the symbol’s appearance saying they carved the entire design with a garden cultivator during a nine-day period. No other pilots or anyone else reported seeing the design at any stage of construction.

“Analysis of the formation’s line indicated that the soil had been removed, whereas the artists’ garden cultivator / plow method produced small mounds of dirt on either side of their demonstration lines left from where they plowed,” according to ICCRA. ,

‘Two researchers, Don Newman and Alan Decker visited the site on September 15, 1990, and reported the symbol as being furrowed into the dry lake bed about 3″ deep, noting that the area was noticeably missing any signs of tire tracks or foot prints even though their own tire tracks left 1/4″ deep marks on the crusty surface of the dry lake bed. After further investigation their colleague, Jim Deardorff, wrote the story for UFO Magazine. ,

After one year Deardorff learned from Jennifer Brown-Jacobs, who at the time had been head of the Portland UFO Group, that two men had a UFO sighting in the area during this same period. They’d been camping with a sail-plane group at the western edge of the Alvord Desert near that dry lake bed. Their sighting took place the evening of July 5 or 6th around 10 pm. They reported seeing an array of three bright lights, the color of sodium-vapor lamps, forming an equilateral triangular with the apex facing upwards to the northeast. The array occupied about three degrees width and lasted ten minutes.

They didn’t think much of it at the time and when they looked that way again 20 minutes later the lights were gone. However, they noticed a strange small puffy cloud where the lights had been. Extending from the cloud were two straight appendages positioned at 2:30 and 8:30 respectively at 12 degrees overall. They estimated its location as eight miles away and 15 degrees above the horizon. This placed it directly over the dry lake bed. They watched the stationary cloud for about an hour. Due to the eyewitness accounts, the sighting was classified as an unidentified, and was later associated with the Sri Yantra earth scraping. After the story broke, a group of artists claimed they had created the Sri Yantra. ‘

Watch the Video https://www.youtube.com/watch?v=jLeUOBzkZsk

Citation and Source.

Check the Link for more.

https://sites.google.com/site/srichakraresearch/

More to follow.

 

 

Hinduism Is Mathematics Fibonacci Golden Ratio In Meru

Philosophical enquiry needs an  analytic  Mathematical Mind.

One would notice that most of the Great Philosophers of the world have also been great Mathematicians.

Rene Descartes, Leibniz,Spinoza,Siddhas of India,Pingala, Arya Bhatta, Varaha Mihira….

It is easy for a Mathematician to understand Nature which is mathematically constructed.

Every atom to an elephant is made mathematically.

There is Uniformity and Rhythm in Nature.

This applies to actions and reactions.

The term Rta is dealt separately in Hinduism.

This means order.

Please read my post on this.

Another point in Hinduism is what is in Macrocosm is in Microcosm and vice versa.

What is found in the Universe is found in Man.

For example,

The ratio 1:1.618 is a golden ratio which is found all over the cosmos. Stick out your forefinger. The ratio from the first two bones is 1:1.618. Now the ratio between the 2nd middle bone and the third bone terminating at the knuckle is also 1:1.618.  The ration from your navel to top of your head and bottom of your feet is also 1:1.618

This is called the Fibonacci Ratio.

Fibonacci Ratio in Leaves

Arrangements of the leaves

Fibonacci Ration in Leaves.

Also, many plants show the Fibonacci numbers in the arrangements of the leaves around their stems. If we look down on a plant, the leaves are often arranged so that leaves above do not hide leaves below. This means that each gets a good share of the sunlight and catches the most rain to channel down to the roots as it runs down the leaf to the stem.
The computer generated ray-traced picture here is created by my brother, Brian.

Leaves per turn

The Fibonacci numbers occur when counting both the number of times we go around the stem, going from leaf to leaf, as well as counting the leaves we meet until we encounter a leaf directly above the starting one.

If we count in the other direction, we get a different number of turns for the same number of leaves.

The number of turns in each direction and the number of leaves met are three consecutive Fibonacci numbers!

Fibonacci Number in Mount Meru

 

Mount Meru is an actual and sacred mountain in Tanzania/Arctic, it is also the name given to the Fibonacci series in the Maatraameru (Mountain of Cadence) written by Pingala in the Chhandah-shastra (Art of Prosody) around 450 BC. In this writing, it was organized as a pyramid, today known as Pascal’s triangle, like this:

Mount Meru In Numbers

Kubera was revered as the chief of the Guhyakas and was the ‘king of kings’, the ‘god’ and ‘guardian of the North’. The word Guhyakas comes from the word ‘godha’ (root gudh or guh), meaning chameleon – a dragon-serpent. It seems that in Hindu mythology, ‘god’ is a ‘naga’ or ‘dragon serpent’ who lives at the top of Mount Meru and hides a golden treasure.

Thus we find that God is associated in ancient Hindu mythology with the infinite and irrational golden ratio at the center of a Fibonacci spiral symbolized as a mountain, pyramid or perhaps an infinite spiraling vortex (like the Hindu Schwass-tika). Further reading on the subject describes Mt. Meru as home to all of the gods, closely resembling the Biblical concept of a heaven paved with gold.

As one last note, in Vedic astrology, Kubera’s golden treasure is guarded by Shukra, which is the Hindu name for the planet Venus. Shukra is then celebrated in a specific month in the Hindu calendar called JyeshTha, corresponding to May-June.

One would find he same in Carnatic Music and Bharata Natya.

More to follow.

Citation.

Journal of the American Oriental Society, Volume 33 by E. W. Hopkins, 1918.

2. The Golden Mean and the Physics of Aesthetics, Subhash Kak, Archive of Physics: physics/0411195, 2004

http://www.hinduism.co.za/anahata.htm#Fibonacci Fingers?

Lalitha Devi Chariot Sri Chakra Raja Ratha Description

Sri Lalitha Sahasranama states,

 

“Chidagnikunda sambhoota”

“Deva kaarya samudyataa” and

“Chakra Raja Rathaa Roodha Sarvaayudha Parishkritaa”

Lalita Tripura Sundari.

The Devathas were being harassed by Bhandasura and the Devas entreated Brahma, Vishnu and Shiva.

Lord Shiva in his Form as Maha Sambhu performed a Maha Yaga and Lalitha Devi appeared in the Homa Kunda, Chdagni Kunda-Philosophically  speaking from the Chit.

Article follows on the Special Homa by Shiva.

Lalita Devi appeared in Her Chariot, Sri Chakra Raja Ratha.

This is the description by Brahmanda Purana and Lalithaopkyana.

The Sri Chakra Raja Ratha had the following dimensions:

A. Width

4 Yojanas (1 Yojana is approximately 9 miles)

B. Height

10 Yojanas

C. Parvas (landings)

9 in number

D. Chakras (wheels) – the four Vedas

E.

Horses – the four-fold aims (Purusharthas)

F.

Flag

absolute bliss

G.

The seat at the topmost landing is the Bindu Peetha.

H.

Form :

of the form of Meru Prastara.

I.

The material that was used to make this was ‘Tejas

Meta Physical Explanation follows.

This took place on the sixth day of Navaratri.

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